(via andthenyouexplode)
For some reason I saw this and read “DEAL BREAKER”. Clearly I watch too much 30 Rock.
(via thedame)
![smolf84:
thedailywhat:
Street Art of the Day: Berlin-based street artists Mr. Tailon, Baveux, Kone & Epoxy (previously) treated a number of billboards around their hometown to some old-school culture jamming by augmenting them with the Heads-Up Display from Doom.
View the entire set here.
[via.]](http://17.media.tumblr.com/tumblr_kuej82VWfW1qzpwi0o1_500.jpg)
Street Art of the Day: Berlin-based street artists Mr. Tailon, Baveux, Kone & Epoxy (previously) treated a number of billboards around their hometown to some old-school culture jamming by augmenting them with the Heads-Up Display from Doom.
View the entire set here.
[via.]

HAHAHA so pertinent right now!
To paraphrase Dan Savage: “Liberalism is a Sexually Transmitted Disease”. Spread the love. :)

I hope this is a joke. A good single malt is supposed to be served neither cold nor undiluted.
A splash of room temperature water is all it needs. Not ice. And certainly not cold, cubic stones.
I don’t wear nice clothing often enough to remember exactly how it is applied to the body. I approach the garment bag like I’m inspecting a crime scene, afraid to disturb it, trying instead to interpret it. As happens with such frequency, I try to imagine what a normal person would do in my situation.
What I have come up with is this: no normal person would ever be in my situation.
— Tycho Brahe (Jerry Holkins) - Penny Arcade - On The Dunes of Ur-Marsa. This is so, so me.
via xkcd
Vivien Leigh, Kim Hunter, & Marlon Brando in A Streetcar Named Desire (1951, dir. Elia Kazan)
“Now I’ve been criticized by this a lot. Some people say I made Brando the hero. I didn’t mean to make Brando the hero. But I wanted to show exactly what [Tennessee] Williams meant, which is that he, as a homosexual, is attracted to the person he thinks is going to destroy him – the attraction you have for someone who’s on the other side, supposedly dead against you, but whose violence and force attract you. Now, that’s the essence of ambivalence.”
-Elia Kazan on Stanley
there is a difference between making someone the hero and casting an actor so compelling in a complex role that people identify him even when he’s doing atrocious things. there are no “heroes” in Streetcar, and that’s the way it should be.
Word.
Gnarls Barkley — Who’s Gonna Save My Soul